Paul Orleneff

The contribution of autocratic Russia to civilization has consisted mostly of pogroms, extermination of revolutionists, and, lately, the murderous invasion of Persia.

But there is another Russia, the Russia of Gogol, Nekrassov, Turgeniev, Dostoyevski. Tolstoy,—the Russia of the heroic men and women, the Russia of the steppes and of the muzhiks, dreaming of brotherhoood and freedom.

It is this Russia which sends to us her greetings through the dramatic genius, Paul Orleneff, who, with a small company of players, is giving performances at the Garibaldi Theatre, 35 Fourth Street. Though, indeed, performances is but an inadequate expression for the rare artistic experience which awaits the audience.

Orleneff opened his repertory with Ibsen’s Brand. Notwithstanding the disagreeable external conditions surrounding his exceptional artistic efforts, one grows oblivious of the environment the moment this great artist steps upon the scene.

Brand represents the deepest and most mysterious phases of Henrik Ibsen’s nature. It has been said that only in the reading can its subtleness and beauty be fully grasped. But no one who has seen Orleneff in the character of Brand will doubt that his interpretation most strikingly visualizes the Brand of the dramatic poem. No longer does Brand appear a dim impossible figure, a mere visionary. He is real, he lives, and every word he utters must find an echo in all who, with Ibsen, have realized the sham that lisps love and thrives on hate and destruction.

Great as Ibsen’s art is, it grows greater through the genius of Paul Orleneff. The blending of the two is an aeshtetic treat no one who cares the least about art should miss.

We take pleasure in giving the repetory for the coming week for the information of our readers:

Wednesday, January 10, and Tuesday, January 16: Ibsen’s Ghosts,, with Orleneff as Oswald. Thursday, January 11, and Saturday, January 13: Crime and Punishment, by Feodor Dostoyevski, with Orleneff in his masterful interpretation of Raskolnikov. Friday, January 12: Petty Persecution (also known as The Trials of Misfortune). Sunday, Janaury 14, the Second Part of Brand.

The Death of Paul I., the powerful drama by Mereshkovsky (prohibited in Russia); Lorenzacio, by Du Musset, and Hamlet are to be given in the near future.

Tickets and a complete synopsis (in English) of every Russian play to be had at the box office, 11 A. M. to 9 P. M.

Later on we intend to bring a more detailed appreciation of Orleneff, his artistic aims and ideals, and of the able company supporting him.

Free Communism
Voluntary economic co-operation of all towards the needs of each. A social arrangement based on the principle: To each according to his needs; from each according to his ability.